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Free PDF Master Class in Figure Drawing, by Robert Beverly Hale

Free PDF Master Class in Figure Drawing, by Robert Beverly Hale

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Master Class in Figure Drawing, by Robert Beverly Hale

Master Class in Figure Drawing, by Robert Beverly Hale


Master Class in Figure Drawing, by Robert Beverly Hale


Free PDF Master Class in Figure Drawing, by Robert Beverly Hale

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Master Class in Figure Drawing, by Robert Beverly Hale

About the Author

Robert Beverly Hale was Curator Emeritus of the American Painting and Sculpture Department at the Metropolitan Museum of Art. For forty years, he was instructor of artistic anatomy at the Art Students League. He also served as Adjunct Professor of Drawing at Columbia University and Professor of Art at Cooper Union. Hale was the author of Drawing Lessons from the Great Masters and co-author of Anatomy Lessons from the Great Masters. Terence Coyle teaches figure painting and drawing at the Art Students League of New York and is the lecturer in Artistic Anatomy at the National Academy of Design School of Fine Arts in New York City. Coyle's paintings have been highly acclaimed and are in important collections throughout the country including the Museum of the City of New York; the New York State Museum in Albany; the Museum of Performing Arts, Billy Rose Theatre Collection; Fordham University; and, among other notables, in the collection of Ms. Helen Hayes. He co-authored with Robert Beverly Hale Anatomy Lessons from the Great Masters and Albinus on Anatomy.

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Product details

Paperback: 144 pages

Publisher: Watson-Guptill Publications; Reprint edition (September 1, 1991)

Language: English

ISBN-10: 0823030148

ISBN-13: 978-0823030149

Product Dimensions:

8.2 x 0.5 x 11 inches

Shipping Weight: 1 pounds

Average Customer Review:

4.3 out of 5 stars

29 customer reviews

Amazon Best Sellers Rank:

#487,947 in Books (See Top 100 in Books)

This is the best book on the subject matter I've ever encountered. I attend a live model drawing every Monday, and every other Thursday for years now, have copied many Master drawings and Bargue plates, I have drawn from George Bridgman, Andrew Loomis, and Charles Bargue.While those sources are excellent and not to be discounted, this is by far the most comprehensive, logical approach to a complex but rewarding activity like figure drawing.I recommend this to anyone, even before you delve into Hale's other books- "Drawing Lessons from the Great Masters" and especially before "Anatomy Lessons from the Great Masters." I got this one last and it immediately made things "snap" mentally, in a way that things had not from the afformentioned titles. I understood everything he was trying to say a lot more.For me this is mainly because of the helpful shapes he deliberately and simply draws on top of the master drawings. While this is found in the other titles, it's not to the extent as with this title.As a final parting advice, stray away from Betty Edwards and her dubiously scientific "right side of the brain." It is extremely detrimental compared to Bob Hale's sagely advice:"if you draw what you see, what til you see what you draw."Or as I like to say "if you draw what you see, you will not draw what you see"One *must* study form, draw what they know.Copying a photograph upside down is ok for a total beginner, and in my opinion Edwards shines in getting people who are afraid to draw and have never done so, generating acceptable drawings. That's about as helpful as it can be though.This takes drawing to a wonderful and challenging new plane.

I purchased the companion tape series from Jo-An Pictures Ltd in NYC (212-532-5003) several years ago. The book and tapes record the lectures given by Robert Beverly Hale at the Art Student's League in NYC. You may never find better instruction on artistic anatomy and drawing the human form! He was without doubt the greatest instructor of this subject! The tapes are almost like attending his classes! You must draw from life as well as study this material to master the subject. If you cannot afford the tapes, at least get this book! You will not find a better investment but you must also make the effort! A valid observation from his lectures: 'You can not draw a form, if you don't know it exists.' If you want to draw figures that will impress other artists, clients with medical training or other sophisticated viewers, then master the lessons in this book!I believe Tony Ryder may have attended Robert Hale's lectures at the Art Student's League. Also get Tony Ryder's book entitled "The Artist's Complete Guide to Figure Drawing". It represents the other traditional approach to figure drawing. His explanation of light and shadow on the human form is the best I have ever seen. He emphasizes that it takes many hours to complete a finished drawing. Quick sketches are good for warming up but it's only one aspect of practice. Both books are well worth the investment!

My grandsons art teacher recommended this book. Its an excellent guide book for art students.

Has some usefullness but not a practical text. You will have to scratch and dig to catch up in it.

One of the best books on figure drawing and anatomy of the figure. Filled with extensive examples from the old masters.

I couldn't agree more with the wonderful endorsements of Robert Beverly Hale's teaching materials. It been said that Rodin had one book that never left his night table. it was Richer's "Artistic Anatomy". Like Richer, Mr. Hale has left us with incredibly rich resources of his great knowledge on illusionary drawing and anatomy. As Rodin constantly referred to Richer's book, so will you with Mr. Hale's books once you start reading them. I studied with the great draftsman Michael Burban who was a student of Hale's and carried on his classes on Artistic Anatomy at the Art Student's League. Mr.. Burban wrote a book titled "Lessons From Michelangelo". This is a wonderful book which serious students of Artistic Anatomy and Figure Drawing will find to be a great addition to their libraries. Hale and Burban, two great teachers who are beyond compare!!

Hale was and still is (at least in this book) a master of the subject. He is one of the very few artists I know who can marry the intellectual with the creative. His physical presence is missed by all that knew him.

No words can describe how much I love this book....it was the best recommendation ever to me....now I recommend it to you.

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